White Shadow Persona

In this essay and my essay entitled Evil Persona, Shadow and the Transformation of Community, I engage in the realm of praxis, which is so essential to understanding Jung’s contribution to psychology and spirituality. This essay primarily concerns an experiential phenomenon that I call the white-shadow persona. The white-shadow persona is a product of the persona that is identified with high ideals driven by a power-complex. The persona is the mask that feigns individuality, but which is a collective phenomena with which one should not identify. The power-complex is a split-off power-drive, which, when assimilated to consciousness, becomes a formative factor that can be used creatively, and the spirit of life.

As a subsidiary theme and as an example I comment on the book and movie, THE DA VINCI CODE, focusing on the albino monk, who is a striking image for the white-shadow persona, as a puffed-up murderous monk who believes he is an instrument of God. In fact, he is trying to prevent the resurrection of Mary Magdalene from obscurity and projected sinfulness, and her being located in her in her rightful place as the bride of Jesus and spouse of Christ, which is important evidence for the tradition of the Holy Grail. As an archetypal image, Mary Magdalene unites both the superior and inferior aspects of the psyche and would, therefore, promote wholeness and the ability of aligning the human will with the Divine will.

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